141 file audio bebas royalti untuk "Diminished Fifths"

Leading-tone seventh chord in C major.

Half-diminished seventh chord on sharpened supertonic in C.

Half-diminished seventh chord on sharpened subdominant in C.

Leading-tone diminished seventh chords as dominant in Beethoven's Piano Sonata No. 5, Op. 10, no. 1, I, mm.1-10.

Leading-tone seventh chord often serves a dominant function. This example is from Beethoven's no. 5 op. 10, no. 1, I, mm.13-16.

Diminished seventh chord's use in modulation.

D, F, Ab = C, Eb-, Gb-

Just augmented fifth in just C scale: E♭ and B.

English: Chopin Prelude, Op. 20, No. 10 (1832) opening. Consecutive diminished seventh chords as whole tone scale harmony. Piston analyses viio as Vo9 with a missing root.

*5-limit limma/Enharmonic diesis on C. 128/125 = 41.06 cents. Limit: 5-limit. MIDI pitch bend: 18,77

viio6 as a substitute for V43 chord in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

Diminished triad on B in just intonation. Presumably B-D-F in 5-limit just intonation.

Diminished seventh chord as incomplete ninth in C.

MIDI rendering of a passage from the madrigal "O voi che sospirate a miglior noti" by Renaissance composer Luca Marenzio (c.1553–1599), bars 35–41. Illustrating a striking use of chromaticism in a progression through the whole en:circle of fifths. MIDI produced with Lilypond.

*Diesis on C = D-. 128:125 = 41.06 cents. Limit: 5-limit. MIDI pitch bend: 18,77 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on 18,77 for 41.064453 cents rather than 0.

Chord progression with diminished seventh chords added.

Typical example of horn fifths from the finale of Beethoven's 9th Symphony

Just perfect fifth on G = D. 3:2 × 3:2 = 1403.91 (203.91) cents. Midi pitch bend on 80,64 for 701.953125 cents and 32,65 for 1403.910002 cents.

Melodic perfect fifth descending.

Just perfect fifth below A = D-. 3:2 = 701.96 cents. As MIDI.

Melodic perfect fifth ascending.

Passage gegen Ende des Nocturne op.37,2: Harmonscher Schnelldurchlauf des Quintenzirkels

Typical example of horn fifths from the finale of Beethoven's 9th Symphony

V43 for comparison with viio6 as a substitute for V43 in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

*Hundred-sixty-ninth harmonic on C = F♭. Just: 169:128 = 481.06 cents. Limit: 13-limit. MIDI pitch bend: 120,57 on P4

*Diaschisma on C = D--. 2048:2025 = 19.5 cents. Limit: 5-limit. MIDI pitch bend: 33,70

*Just diminished fourth on C = F♭ (Ben Johnston's notation). 32:25 = 427.37 cents. Limit: 5-limit. MIDI pitch bend: 97,72

*41-TET perfect fifth on C = G?. Equal-tempered: 224/41:1 = 702.44 cents. MIDI pitch bend: 100,64

*Quarter-comma meantone perfect fifth on C. 3:2÷(81:80)1/4 = 696.58 cents.

*Classic diminished sixth on C = Abb. Just: 192/125 = 743.01 cents. Limit: 5-limit. MIDI pitch bend: 98,77

*Classic diminished octave/Large just major seventh on C = C♭. 48/25 = 1129.33 cents. Limit: 5-limit. MIDI pitch bend: 49,73

Just diminished seventh in just C scale: B and A♭.

Narrow diminished sixth on C (Abb-), 1024 : 675, 721.51 cents.

IV-V-I chord progression in C. MIDI file Progression d'accords. Fichier midi.

*Pythagorean diminished seventh on C = B--- (Ben Johnston's notation). 32768:19683 = 882.40 cents. Limit: 3-limit.

*Tridecimal major third on C. Just: 13:10 = 454.21 cents. Limit: 13-limit.

*Pythagorean diminished sixth on C = A--- (Ben Johnston's notation). 262144:177147 = 678.49 cents. Limit: 3-limit.

*Pythagorean diminished octave on C = C♭-- (Ben Johnston's notation). 4096:2187 = 1086.31 cents. Limit: 3-limit.

Sound of steel chisel 5th (fifth)

Compound just perfect fifth on C. Also the 833 cents scale step 16 (2). 1901.96 cents. 3/1

*Just diminished seventh on C = B- (Ben Johnston's notation). 128:75 = 925.42 cents. Limit: 5-limit. MIDI pitch bend: 17,72

*Two-hundred-forty-seventh harmonic on C = C♭. Just: 247/128 = 1138.04 cents. Limit: 19-limit. MIDI pitch bend: 22,76

*Octave (2/1) minus major chroma ((2:1)/(135:128)=256:135), 135th subharmonic on C = C♭- (Ben Johnston's notation). Just: 256/135 = 1107.82 cents. Limit: 5-limit. MIDI pitch bend: 64,66

Example of leading-tone triad (viio) and secondary leading-tone triad in Johann Sebastian Bach's Chorale: Gott der Vater wohn' uns bei (BWV 317). Identified by Forte (1979) ISBN 0-03-020756-8 as BWV 748, which is currently attributed to Johann Gottfried Walther.

Created in Sibelius. Major sixth (Diminished seventh) on C = A (B). Equal-tempered: 29/12:1 = 900 cents. MIDI pitch bend: 0,64

*Just diminished third on C = E♭♭- (Ben Johnston's notation). 256:225 = 223.46 cents. Limit: 5-limit. MIDI pitch bend: 65,71

*6859rd harmonic on C = B. Just: 4/12 = 892.54 cents. Limit: 19-limit. MIDI pitch bend: 78,61

*Schisma on C = B♯++ (Ben Johnston's notation). 32805:32768 = 1.9537 cents. Limit: 5-limit. MIDI pitch bend: 80,64

*Undecimal major third on C = F↓+ (Ben Johnston's notation). 14:11 = 417.51 cents. Limit: 11-limit.

*Pythagorean diminished fourth on C = F♭-- (Ben Johnston's notation). 8192:6561 = 384.36 cents. Limit: 3-limit.